POSTER ARCHIVE
This is a collection of poster designs exploring typography, music and perception, translating sound and concept into visual form.
This series explores how music and emotion can be translated into visual atmosphere through typography, color and composition.
The First Time in a Long Time, inspired by the song Click Clack Symphony by RAYE, focuses on rhythm and movement, using fluid gradients and distorted type that dissolve into the layout, echoing the layered structure of the music.
PATIENCE, inspired by a photograph taken on the opening day of the Dutch predator fishing season, focuses on the anticipation and quiet reflection that accompany a morning by the water. The mist-covered landscape and solitary figure emphasize the stillness of the moment, capturing the idea that fishing is often about the experience itself. The image reflects the memories, connection to nature, and patience that exist beyond the catch.
Gentle Flame captures the feeling of warmth and emotional vulnerability, like holding something fragile, using a glowing heart and strong contrast to create tension between softness and intensity.
This set is more narrative-driven, combining personal perspective, material exploration and conceptual storytelling.
BETWEEN explores the psychological state of operating under uncertainty, positioned between clarity and distortion. The composition reflects a space where perception is challenged by noise and fragmented information, placing the viewer within a moment of incomplete understanding. The central eye motif emphasizes perception as both a tool and a limitation.
Can I Call You Rose, inspired by the song by Thee Sacred Souls, is built around a handcrafted rose made from pipecleaners, translating a physical object into a bold graphic composition that balances delicacy with a strong visual presence.
YouMe presents Nostalgic Nights was developed for a fictional band as part of a school project, based on a classmate's brand guidelines. The poster explores a playful and energetic visual language through collage, typography and color, reflecting a sense of nostalgia within a contemporary context.
This set presents three posters, each translating a different narrative into a distinct visual language, combining emotion, atmosphere and concept-driven design.
BAILE INoLVIDABLE, inspired by the song by Bad Bunny, captures the feeling of wanting one final dance with someone. The figures are placed in a spotlight, creating an intimate and fleeting moment filled with emotion.
Voor de Creatieve Makers is based on a quote from my studies and explores a brutalist design style. Through bold typography and layered textures, the poster emphasizes making, experimentation and raw visual identity.
Something Very Bad Is Going to Happen, inspired by the Netflix series, explores a darker narrative around marriage and inevitability. Using halftone collage and a sepia-red palette, the design builds tension, suggesting that after saying "I do", something irreversible happens.
This series explores three posters, each translating a distinct narrative into its own visual language, driven by atmosphere, emotion and concept-based design.
Oppenheimer was created as a part of a school project focused on recreating an existing film poster and scene. While a classmate portrayed the main character, this poster reinterprets the original through a more minimal and introspective approach. The soft gradient and restrained composition highlight the weight of the subject, capturing a quiet moment before consequence.
Somebody Like You, inspired by the song by Giant Rooks, reflects softness and longing through a muted palette and fine texture, creating a quiet and intimate composition where typography blends gently into the image.
Midnight Drives extends this theme into an urban context. Inspired by late-night drives, the poster captures the chaos and rhythm of the city through glowing light trails and saturated tones, turning everyday traffic into a cinematic flow of movement and atmosphere.
© Made by Lonneke 2026
Privacy Policy
Cookie Policy